Plot
[edit]Cast
[edit]Production
[edit]Soundtrack
To Kill a Mockingbird Soundtrack by Elmer Bernstein Released 1997 Recorded August 1–2, 1996, City Halls,Glasgow Label Varèse Sarabande [edit]Critical response
[edit]Awards and honors
[edit]Academy Awards
[edit]Golden Globe Awards
[edit]Others
[edit]Differences from the novel
Wednesday, January 19, 2011
To Kill a Mockingbird (film)
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To Kill a Mockingbird is a 1962 American drama film adaptation of Harper Lee's novel of the same name. It stars Mary Badham in the role of Scout and Gregory Peck in the role of Atticus Finch.
In 1995, the film was listed in the National Film Registry. It also ranks twenty-fifth on theAmerican Film Institute's 10th anniversary list of the greatest American movies of all time. In 2003, AFI named Atticus Finch the greatest movie hero of the 20th century.
The film's young protagonists, Scout (Mary Badham) and her brother Jem (Phillip Alford), live in the fictional town of Maycomb, Alabama, during the 1930s. The story covers three years, during which Scout and Jem undergo changes in their lives. They begin as innocent children, who spend their days happily playing games with each other and spying on the town bogeyman, Boo Radley (Robert Duvall). Through their father's (Gregory Peck) work as a lawyer, they begin to learn of the racism and evil prevalent in their town, and mature painfully as they are exposed to it.
See also: List of To Kill a Mockingbird characters
Phillip Alford, who played the role of Jem, did not initially want to audition for the part. However, when his mother informed him that he would miss a half day of school, he immediately decided to go to them. Additionally, he became upset during the filming of the scene at the breakfast table, when Mary Badham, who played Scout, had trouble performing the scene properly. By way of retaliating, during the scene where Jem rolls Scout in a tire, he intentionally rolled the tire toward an equipment truck.[1]
According to Kim Hamilton, who played the part of Helen Robinson in the movie, Gregory Peck was the consummate gentleman. She recalled a scene where her character collapses after hearing the news of her husband's death, and Peck, as Atticus, picks her up and carries her into the house. "He was such a gentleman," she says. "I never forgot that."
All music composed by Elmer Bernstein; A re-recording has been performed by the Royal Scottish National Orchestra conducted by the composer.
Gregory Peck's performance became synonymous with the role and character of Atticus Finch.Alan J. Pakula remembered hearing from Peck when he was first approached with the role: "He called back immediately. No maybes. The fit was among the most natural things about a most natural film. I must say the man and the character he played were not unalike."[2] Peck later said in an interview that he was drawn to the role because the book reminded him of growing up in La Jolla, California.[3] "Hardly a day passes that I don't think how lucky I was to be cast in that film," Peck said in a 1997 interview. "I recently sat at a dinner next to a woman who saw it when she was 14 years old, and she said it changed her life. I hear things like that all the time."[4]
The 1962 softcover edition of the novel opens with the following: "The Southern town of Maycomb, Alabama reminds me of the California town I grew up in. The characters of the novel are like people I knew as a boy. I think perhaps the great appeal of the novel is that it reminds readers everywhere of a person or a town they have known. It is to me a universal story - moving, passionate and told with great humor and tenderness. Gregory Peck"
Upon Peck's death in 2003, Brock Peters, who played Tom Robinson in the film version, quoted Harper Lee at Peck's eulogy, saying, "Atticus Finch gave him an opportunity to play himself." Peters concluded his eulogy stating, "To my friend Gregory Peck, to my friend Atticus Finch, vaya con Dios."[5] Peters remembered the role of Tom Robinson when he recalled, "It certainly is one of my proudest achievements in life, one of the happiest participations in film or theater I have experienced."[6] Peters remained friends not only with Peck but with Mary Badham throughout his life.
In 1995, To Kill a Mockingbird was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."[7] It is also Robert Duvall's big-screen debut, as the misunderstood recluse Boo Radley. Duvall was cast on the recommendation of screenwriter Horton Foote, who met him at Neighborhood Playhouse in New York City where Duvall starred in a 1957 production of Foote's play, The Midnight Caller.[8]
The American Film Institute named Atticus Finch the greatest movie hero of the 20th century.[9] Additionally, the AFI ranked the movie second on their 100 Years... 100 Cheers list, behind It's a Wonderful Life.[10] The film was ranked number 34 on AFI's list of the 100 greatest movies of all time, but moved up to number 25 on the 10th Anniversary list.[11] In June 2008, the AFI revealed its "Ten top Ten"—the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community. To Kill a Mockingbird was acknowledged as the best film in the courtroom drama genre.[12]
In 2007, Hamilton was honored by the Harlem community for her part in the movie. She is the last surviving African-American adult who had a speaking part in the movie. When told of the award, she said, "I think it is terrific. I'm very pleased and very surprised."[13]
Other nominations were for Best Picture (Producer, Alan J. Pakula), Best Director (Robert Mulligan), Best Cinematography, Black-and-White (Russell Harlan), Best Actress in a Supporting Role (Mary Badham), and Best Music, Score — Substantially Original (Elmer Bernstein)
The film generally focuses on the mystery surrounding Boo Radley and the trial of Tom Robinson, whereas the novel features these as episodes in Scout's childhood development. In addition, several smaller details were changed:
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