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Wikipedia
My Neighbor Totoro (となりのトトロ Tonari no Totoro), is a 1988 Japanese anime filmwritten and directed by Hayao Miyazaki and produced by Studio Ghibli. The film follows the two young daughters of a professor and their interactions with friendly wood spirits in postwar rural Japan. The film won the Animage Anime Grand Prix prize and the Mainichi Film Award for Best Film in 1988.
The film was released on VHS and laserdisc in the United States by Tokuma Japan Communications' US subsidiary in 1993 with the title, My Friend Totoro.[1]
Streamline Pictures produced an exclusive dub for Japan Airlines' transpacific flights in 1988.Troma Films, under their 50th St. Films banner, distributed the dub of the film co-produced byJerry Beck. It was released on VHS and DVD by Fox Video. Troma's and Fox's rights to this version expired in 2004. The film was re-released by Disney on March 7, 2006.[2] It features a new dub cast. This DVD release is the first version of the film in the United States to include both Japanese and English language tracks, as Fox did not have the rights to the Japanese audio track for their version.
Plot
In 1958, the Kusakabe family reunites when a university professor and his two daughters, Satsuki and Mei (approximately ten and four years old, respectively) move into an old house in rural Japan to be closer to the hospital where their mother is recovering from an unnamed, long-term illness. The daughters find that the house is inhabited by tiny animated dust creatures called susuwatari— small house spirits seen when moving from light to dark places. When the girls become comfortable in their new house and laugh with their father, the soot spirits (identified as "black soots" in early subtitles and "soot sprites" in the later English dubbed version) leave the house to drift away on the wind.
While she is playing outside one day, Mei sees two white, rabbit-like ears in the grass. She follows the ears under the house where she discovers two small magical creatures, who lead her through a briar patch, and into the hollow of a large Camphor tree. She meets and befriends a larger version of the same kind of spirit, which identifies itself by a series of roars she interprets as "Totoro" (in the original Japanese dub, it stems from Mei's mispronunciation of the word for "troll").[3] Her father later tells her that this is the "keeper of the forest".
One rainy night, the girls are waiting for their father's bus and grow worried when he does not arrive on the bus they expect him on. As they wait, Mei eventually falls asleep on Satsuki's back and Totoro appears beside them, allowing Satsuki to see him for the first time. He only has a leaf on his head for protection against the rain, so Satsuki offers him the umbrella she had taken along for her father. Totoro is delighted at both the shelter and the sounds made upon it by falling raindrops. In return, he gives her a bundle of nuts andseeds. A bus-shaped giant cat halts at the stop, and Totoro boards it, taking the umbrella. Shortly after, their father’s bus arrives.
The girls plant the seeds. A few days, later they awaken at midnight to find Totoro and his two miniature colleagues engaged in a ceremonial dance around the planted nuts and seeds. The girls join in, whereupon the seeds sprout and then grow into an enormous tree. Totoro takes his colleagues and the girls for a ride on a magical flying top. In the morning, the tree is gone, but the seeds have indeed sprouted.
The girls find out that a planned visit by their mother has to be postponed because of a setback in her treatment. Satsuki takes this very hard, having reached the age where she fully understands the concept of death. Frustrated and frightened, she yells at Mei, then stomps away. Mei, believing that her mother can be cured by healthy food, sets off on foot to the hospital with an ear of corn.
Her disappearance prompts Satsuki and the neighbors to search for her; eventually, Satsuki returns in desperation to the Camphor tree and pleads for Totoro's help. Delighted to be of assistance, he summons the Catbus, which carries her to where the confused Mei sits. Having rescued her, the Catbus then whisks her and Satsuki over the countryside to see their mother in the hospital. The girls perch in a tree outside of the hospital, overhearing a conversation between their parents and discovering that she has been kept in hospital by a minor cold and is otherwise doing well. They secretly leave the ear of corn on the windowsill, where it is discovered by the parents, and return home on the Catbus. When the Catbus departs, it fades away from the girls' sight.
The closing credits show Mei and Satsuki's mother returning home and feature scenes of Satsuki and Mei playing with other children, with Totoro and his friends as unseen observers.
Cast
| Character | Japanese | English (Streamline) | English (Disney) |
|---|---|---|---|
| Satsuki Kusakabe (草壁 サツキ Kusakabe Satsuki) | Noriko Hidaka | Lisa Michelson | Dakota Fanning |
| Mei Kusakabe (草壁 メイ Kusakabe Mei) | Chika Sakamoto | Cheryl Chase | Elle Fanning |
| Tatsuo Kusakabe (草壁 タツオ Kusakabe Tatsuo) (father) | Shigesato Itoi | Greg Snegoff | Tim Daly |
| Yasuko Kusakabe (草壁 靖子 Kusakabe Yasuko) (mother) | Sumi Shimamoto | Alexandra Kenworthy | Lea Salonga |
| Totoro (トトロ) | Hitoshi Takagi | not stated | Frank Welker |
| Catbus (ネコバス Nekobasu) | Naoko Tatsuka | Carl Macek | Frank Welker |
| Nanny / Granny | Tanie Kitabayashi | Natalie Core | Pat Carroll |
| Kanta Okagi (大垣 勘太 Ōgaki Kanta) | Toshiyuki Amagasa | Kenneth Hartman | Paul Butcher |
Production
The art director was Kazuo Oga, who was drawn to the film when Hayao Miyazaki showed him an original image of Totoro standing in asatoyama. The director challenged Oga to raise his standards, and Oga's experience with My Neighbor Totoro jump-started the artist's career. Oga and Miyazaki debated the palette of the film, Oga seeking to paint black soil from Akita Prefecture and Miyazaki preferring the color of red soil from the Kantō region. The ultimate product was described by Studio Ghibli producer Toshio Suzuki: "It was nature painted with translucent colors."[4]
Oga described his approach to painting background art: "I appreciate my role and I draw with the feeling that if I don't make a good effort, I will be somehow punished."[cite this quote] Oga's conscientious approach to My Neighbor Totoro was a style that the International Herald Tribunerecognized as "[updating] the traditional Japanese animist sense of a natural world that is fully, spiritually alive". The newspaper described the final product, "Set in a period that is both modern and nostalgic, the film creates a fantastic, yet strangely believable universe of supernatural creatures coexisting with modernity. A great part of this sense comes from Oga's evocative backgrounds, which give each tree, hedge and twist in the road an indefinable feeling of warmth that seems ready to spring into sentient life." Oga's work on My Neighbor Totoro led to his continued involvement with Studio Ghibli. The studio assigned jobs to Oga that would play to his strengths, and Oga's style became a trademark style of Studio Ghibli.[5]
Release
After writing and filming Nausicaä of the Valley of the Wind (1984) and Castle in the Sky (1986), Hayao Miyazaki began directing My Neighbor Totoro for Studio Ghibli. Miyazaki's production paralleled his colleague Isao Takahata's production of Grave of the Fireflies. Miyazaki's film was financed by executive producer Yasuyoshi Tokuma, and both My Neighbor Totoro and Grave of the Fireflies were released on the same bill in 1988. The dual billing was considered "one of the most moving and remarkable double bills ever offered to a cinema audience".[6]
In 1993, Tokuma Japan Communications' US subsidiary released the first English-language version of My Neighbor Totoro, with the title My Friend Totoro. However, because of his disappointment with the result of the heavily edited English version of Nausicaä of the Valley of the Wind, Miyazaki would not permit any part of the movie to be edited out, all the names had to be remain the same (with the exception being Catbus), the translation had to be as close to the original Japanese as possible, and no part of the movie could be changed for any reason, cultural or linguistic (which was very common back then) despite creating problems with some English viewers, particularly in explaining the origin of the name "Totoro". It was produced by John Daly and Derek Gibson, with co-producer Jerry Beck, and was available on VHS andlaserdisc. This was the only United States home video release of the film from Tokuma (20th Century Fox would release all upcoming English-language releases of the film until Fox and Troma's rights to the film expired in 2004). Disney's English-language version premiered on October 23, 2005; it then appeared at the 2005 Hollywood Film Festival. The Turner Classic Movies cable television network held the television premiere of Disney's new English dub on January 19, 2006, as part of the network's salute to Hayao Miyazaki. (TCM aired the dub as well as the original Japanese with English subtitles.) The Disney version was initially released on DVD on March 7, 2006, but is now out of print. A reissue of Totoro, Castle in the Sky, and Kiki's Delivery Service featuring updated cover art highlighting its Studio Ghibli origins was released on March 2, 2010, coinciding with the US DVD and Blu-Ray debut of Ponyo.
As is the case with Disney's other English dubs of Miyazaki films, the Disney version of Totoro features a star-heavy cast, including Dakotaand Elle Fanning as Satsuki and Mei, Timothy Daly as Mr. Kusakabe, Pat Carroll as Granny, Lea Salonga as Mrs. Kusakabe, and Frank Welker as Totoro and Catbus. The songs for the new dub retained the same translation as the previous dub, but were sung by Sonya Isaacs.
Critical reception
Rotten Tomatoes reported that 89% of critics gave the film positive write-ups, based upon a sample of 28, with an average score of 8.1/10.[7]
Film critic Roger Ebert of the Chicago Sun-Times identified My Neighbor Totoro as one of his "Great Movies", calling it "one of the lovingly hand-crafted works of Hayao Miyazaki". Ebert reviewed the film, "My Neighbor Totoro is based on experience, situation and exploration—not on conflict and threat," and described its appeal: "...it would never have won its worldwide audience just because of its warm heart. It is also rich with human comedy in the way it observes the two remarkably convincing, lifelike little girls... It is a little sad, a little scary, a little surprising and a little informative, just like life itself. It depends on a situation instead of a plot, and suggests that the wonder of life and the resources of imagination supply all the adventure you need."[8]
Leonard Klady of the entertainment trade newspaper Variety wrote that My Neighbor Totoro demonstrated "adequate television technical craft" that was characterized by "muted pastels, homogenized pictorial style and [a] vapid storyline". Klady described the film's environment, "Obviously aimed at an international audience, the film evinces a disorienting combination of cultures that produces a nowhere land more confused than fascinating."[9]
Stephen Holden of The New York Times described My Neighbor Totoro as "very visually handsome", and believed that the film was "very charming" when "dispensing enchantment". Despite the highlights, Holden wrote, "Too much of the film, however, is taken up with stiff, mechanical chitchat."[10]
Matthew Leyland of Sight & Sound reviewed the DVD released in 2006, "Miyazaki's family fable is remarkably light on tension, conflict and plot twists, yet it beguiles from beginning to end... what sticks with the viewer is the every-kid credibility of the girls' actions as they work, play and settle into their new surroundings." Leyland praised the DVD transfer of the film, but noted that the disc lacked a look at the film's production, instead being overabundant with storyboards.[11]
Phillip E. Wegner makes a case for the film being an example of alternative history.[13]
Cultural impact
My Neighbor Totoro helped bring Japanese animation into the global spotlight, and set its writer-director Hayao Miyazaki on the road to success. The film's central character, Totoro, is as famous among Japanese children as Winnie-the-Pooh is among British ones.[14] The Independentrecognized Totoro as one of the greatest cartoon characters, describing the creature, "At once innocent and awe-inspiring, King Totoro captures the innocence and magic of childhood more than any of Miyazaki's other magical creations."[15] The Financial Times recognized the character's appeal, "[Totoro] is more genuinely loved than Mickey Mouse could hope to be in his wildest—not nearly so beautifully illustrated—fantasies."[14]
The environmental journal Ambio described the influence of My Neighbor Totoro, "[It] has served as a powerful force to focus the positive feelings that the Japanese people have for satoyama and traditional village life." The film's central character Totoro was used as a mascot by the Japanese "Totoro Hometown Fund Campaign" to preserve areas of satoyama in the Saitama Prefecture.[16]The fund, started in 1990 after the film's release, held an auction in August 2008 at Pixar Animation Studios to sell over 210 original paintings, illustrations, and sculptures inspired by My Neighbor Totoro.[17]
A main-belt asteroid was named 10160 Totoro after the film's central character Totoro.[18]
Totoro has made cameo appearances in multiple Studio Ghibli films, including Pom Poko, Kiki's Delivery Service, and Whisper of the Heart. Additionally, various other anime series and films have featured cameos, including one episode of the Gainax TV series His and Her Circumstances; director Hideaki Anno worked as a key animator on Nausicaä of the Valley of the Wind in 1984 and considers Miyazaki a mentor.[19][20] Totoro has also had cameo appearances in various non-Japanese works, including on Comedy Central's Drawn Together and in the "Imaginationland" episodes of South Park as a background character, in Neil Gaiman's The Sandman: Brief Lives in which Delirium blows bubbles into a number of impossible shapes, including a Totoro holding an umbrella. My Neighbor Totoro is also parodied in the South Parkepisode "Mysterion Rises" in a couple of scenes where Cartman plays on the belly of the dark lord Cthulhu and later flies on the inderdimensional monster to the tune of the iconic end credits song from the film's soundtrack.[21][22] Miyazaki also uses Totoro as a part of his Studio Ghibli company logo. Volume 9 of the Gin Tama manga has a spoof of the film entitled "My Neighbor Pedro". Also, the episode ofSamurai Jack entitled "Jack and the Creature" pays homage to this film. A Totoro plush makes an appearance in Pixar's Toy Story 3.
Media
Books
A four-volume series of ani-manga books, which use color images and lines directly from the film, were published in Japan in May 1988 byTokuma.[23][24] The series was licensed for English language release in North America by Viz Media, which released the books from November 10, 2004 through February 15, 2005.[25][26]
A 112-picture book based on the film and aimed at younger readers was released by Viz on November 8, 2005.[27] On the same day, Viz released a 176 page art book containing conceptual art from the film and interviews with the production staff.[28]
Anime short
Mei and the Kittenbus (めいとこねこバス Mei to Konekobasu) is a thirteen minute sequel to My Neighbor Totoro, written and directed by Miyazaki.[29] Chika Sakamoto, who voiced Mei in Totoro, returned to voice Mei in this short. Hayao Miyazaki himself did the voice of the Granny Cat (Neko Ba-chan), as well as Totoro. It concentrates on the character of Mei Kusakabe from the original film and her adventures one night with the Kittenbus (the offspring of the Catbus from the film) and other cat-oriented vehicles.
Originally released in Japan in 2003, the short is regularly shown at the Ghibli Museum,[30] but has not been released to home video. It was shown briefly in the United States in 2006 to honor the North American release of fellow Miyazaki film Spirited Away[31] and at a Juvenile Diabetes Research Foundation fundraiser a few days later.[32]
Soundtrack
The Tonari no Totoro Soundtrack was originally released in Japan on May 1, 1988 by Tokuma Shoten. The CD primarily features the musical score used in the film composed by Joe Hisaishi, except for five vocal pieces performed by Azumi Inoue.[33] It has since been re-released twice, once on November 21, 1996 and again on August 25, 2004.
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