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Sunday, January 23, 2011

The Exorcist (film)

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The Exorcist is a 1973 American horror film directed by William Friedkin, adapted from the 1971 novel of the same name by William Peter Blatty and based on the exorcism case ofRobbie Mannheim,[3][4] dealing with the demonic possession of a young girl and her mother’s desperate attempts to win back her daughter through an exorcism conducted by two priests. The film features Ellen Burstyn, Linda Blair, Max von Sydow, Kitty Winn, Lee J. Cobb, Jason Miller, and Mercedes McCambridge. The film is one of a cycle of 'demonic child' movies produced in the late 1960s and early 1970s, including Rosemary's Baby and The Omen.
The film became the most profitable horror film of all time and one of the highest earning movies in general, grossing $401,400,000 worldwide (and a further $112,053,066 for the Director's Cut re-release in 2000),[1] and at the time of release briefly became the highest-grossing film of all time, until being surpassed one year later by Steven Spielberg's Jaws. The film has had a huge effect on popular culture.[5][6] The film earned ten Academy Award nominations—winning two, one for Best Sound and Best Adapted Screenplay, and losing Best Picture to The Sting. Along with the novel on which it was based, Blatty's script has been published several times over the years. The Exorcist was commercially released in the United States by Warner Bros. on December 26, 1973, and re-released on March 17, 2000, with a restored version released on September 22, 2000. It was named the scariest movie of all time by Entertainment Weekly andMovies.com[citation needed] and by viewers of AMC in 2006, and was #3 on Bravo's 100 Scariest Movie Moments.[7] The film was selected in 2010 to be preserved by the Library of Congress as part of its National Film Registry

Plot

Starting at an archaeological dig in Al-hadar near Nineveh in Iraq, Father Lankester Merrin (Max von Sydow), an archaeologist, visits a site where a small stone is found, resembling a grimacing, bestial creature. Merrin travels onward to find the strange statue of Pazuzu, which has a head similar to the one found earlier.
Meanwhile, another priest, Father Damien Karras (Jason Miller), a young priest at Georgetown University in Washington, D.C., begins to doubt his faith while dealing with his mother's terminal illness.
The main story follows Chris MacNeil (Ellen Burstyn), an actress filming in Georgetown, who notices dramatic and dangerous changes in the behavior of her 12-year-old daughter, Regan MacNeil (Linda Blair). Regan has a seizure, then exhibits strange, unnatural powers including levitation and great strength. Regan curses and blasphemes in a demonic male voice. Chris initially believes Regan's changes are related to puberty, but doctors suspect a lesion in her brain. Regan endures a series of unpleasant medical tests. When X-rays show nothing out of the ordinary, a doctor advises that Regan be taken to a psychiatrist, whom she assaults. Paranormal occurrences continue, including a violently shaking bed, strange noises, and unexplained movements. Along with these things, the director of Chris MacNeil's film, Burke Dennings (Jack MacGowran), is found brutally murdered outside the MacNeil residence.
When all medical explanations are exhausted, a doctor recommends exorcism, suggesting that if Regan's symptoms are a psychosomaticresult of a belief in demonic possession, then perhaps an exorcism would have the psychosomatic effect of ending them. In desperation, Chris consults Karras, since he is both a priest and a psychiatrist. During a period in which Karras observes Regan, she constantly refers to herself as the Devil. Karras initially believes her to be merely suffering from psychosis, until he records her speaking in a strange language which turns out to be English spoken backwards. Despite his doubts, Karras decides to request permission from the Church to conduct an exorcism.
Merrin, an experienced exorcist, is summoned to Washington to help. He and Father Karras try to drive the spirit from Regan.[10] The demon threatens and taunts both priests, both physically and verbally (including the demon using the voice of Karras' mother), and Merrin dies of a heart attack. Karras attempts to perform CPR to no avail. Regan giggles as Karras tries to save Merrin. Karras strikes her and chokes her, challenging the demon to leave Regan and enter him. The demon does so, whereupon the priest throws himself through Regan's bedroom window and falls down the steps outside. At the bottom, a devastated Father Dyer (William O'Malley)—and friend of Father Karras—administers last rites as Father Karras dies. Regan is restored to health and does not appear to remember her ordeal. Chris and Regan leave Georgetown and their trauma behind.

[edit]Cast

[edit]Production

[edit]Factual basis for the film

Aspects of the film are based upon a rite of exorcism performed by the Jesuit priest, Fr. William S. Bowdern, who formerly taught at both St. Louis University and St. Louis University High School.[11]

[edit]Casting

Although the agency representing Blair did not send her for the role, Blair's mother brought her to meet with Warner Bros.' casting department and then with Friedkin. Pamelyn Ferdin, a veteran of science fiction and supernatural drama, was a candidate, but the producers may have felt she was too well-known. Denise Nickerson, who played Violet Beauregarde in Willy Wonka & The Chocolate Factory, was considered, but her parents pulled her out, troubled by the material. At one point the search for a young actress capable of playing Regan was so trying that Friedkin claims he even considered auditioning adult dwarf actors. The part went instead to Blair, a relative unknown except for a role inThe Way We Live Now.
The studio wanted Marlon Brando for the role of Father Merrin.[citation needed] Friedkin immediately vetoed this by stating it would become a "Brando movie." Jack Nicholson was up for the part of Father Karras before Stacy Keach was hired by Blatty. Friedkin then spotted Miller in a Broadway play. Even though Miller had never acted in a movie, Keach's contract was bought out by Warner Bros. and Miller was cast. Jane Fonda and Shirley MacLaine were approached to play Chris MacNeil. Both refused to do the film, and Fonda reportedly called the project a "capitalist piece of shit."[12] Audrey Hepburn was approached, but said she would only agree if the film were to be shot in Rome. Anne Bancroft was another choice, but she was in her first month of pregnancy. Burstyn then agreed to do the movie.
Friedkin originally intended to use Linda Blair's voice, electronically deepened and roughened, for the demon's dialogue. Although Friedkin felt this worked fine in some places, he felt scenes with the demon confronting the two priests lacked the dramatic power required and selected legendary radio actress Mercedes McCambridge, an experienced voice actor, to provide the voice for the demon. After filming, Warner Bros. attempted to conceal McCambridge's participation which led to a lawsuit from McCambridge and a grudge between her and Friedkin that was never healed.[citation needed]

[edit]Direction

Warner Bros. had approached Arthur Penn (who was teaching at Yale), Peter Bogdanovich (who wanted to pursue other projects, subsequently regretting the decision) and Mike Nichols (who did not want to shoot a film so dependent on a child's performance) and John Boorman - who would direct Exorcist II: The Heretic, said he didn't want to direct it because it was "cruel towards children". Originally Mark Rydell was hired to direct, but William Peter Blatty insisted on Friedkin instead, because he wanted his film to have the same energy as Friedkin's previous film, The French Connection. After a standoff with the studio, which initially refused to budge over Rydell, Blatty eventually got his way. Stanley Kubrick was offered the film (and later on its first sequel) but declined.
Production of The Exorcist began on August 14, 1972 and though it was only supposed to last 85 days, it lasted for 224.
Friedkin went to some extraordinary lengths, reminiscent of D.W. Griffith's manipulation of the actors, to get the genuine reactions he wanted. Yanked violently around in harnesses, both Blair and Burstyn suffered back injuries and their painful screams went right into the film. Burstyn later reported that she had permanent back injury after landing on her coccyx when a stuntman jerked her via cable during the scene when Regan slaps her mother. After asking Reverend William O'Malley if he trusted him and being told yes, Friedkin slapped him hard across the face before a take to generate a deeply solemn reaction that was used in the film, as a very emotional Father Dyer read last rites to Father Karras; this offended the many Catholic crew members on the set[citation needed]. He also fired a gun without warning on the set to elicit shock from Jason Miller for a take. Lastly, he had Regan's bedroom set built inside a freezer so that the actors' breath could be visible on camera, which required the crew to wear parkas and other cold-weather gear.

[edit]Music

Lalo Schifrin's working score was rejected by Friedkin. Schifrin had written six minutes of music for the initial film trailer but audiences were reportedly too scared by its combination of sights and sounds. Warner Bros. executives told Friedkin to instruct Schifrin to tone it down with softer music, but Friedkin did not relay the message. Schifrin's final score was thrown out into the parking lot by Friedkin, dubbing it "fucking Mexican marimba music".[citation needed]
In the soundtrack liner notes for his 1977 film, Sorcerer, Friedkin said had he heard the music of Tangerine Dream earlier, he would have had them score The Exorcist. Instead, he used modern classical compositions, including portions of the 1971 Cello Concerto by Polish composerKrzysztof Penderecki, as well as some original music by Jack Nitzsche. But the music was heard only during scene transitions. The 2000 "Version You've Never Seen" features new original music by Steve Boddacker, as well as brief source music by Les Baxter.
The original soundtrack LP has only been released once on CD, as an expensive and hard-to-find Japanese import. It is noteworthy for being the only soundtrack to include the main theme Tubular Bells by Mike Oldfield, which became very popular after the film's release, and the movement Night of the Electric Insects from George Crumb's string quartet Black Angels.

[edit]Filming locations

The Exorcist Steps in Georgetown, Washington, D.C.
The movie's opening sequence was filmed in the Iraqi town of Sinjar, near the Syrian border. The people of Sinjar are mostly Kurdish members of the ancient Yezidi sect, which reveres Melek Taus, often being equated with the Devil[13] though Yazidis point out that this benevolent being has little in common with the Islamic and Christian Satan[14] The archaeological dig site seen at the beginning of the movie is the actual site of ancient Nineveh in Hatra.
The "Exorcist steps", stone steps at the end of M Street in Georgetown, Washington, D.C. were padded with 1/2"-thick rubber to film the death of Karras. The stunt man tumbled down the stairs twice. Georgetown University students charged people around $5 each to watch the stunt from the rooftops.
The MacNeil residence interiors were filmed at CECO Studios in Manhattan. The bedroom set had to be refrigerated to capture the authentic icy breath of the actors in the exorcizing scenes, while the bedroom scenes along with many other scenes were filmed in the basement of Fordham University in New York. The temperature was brought so low that a thin layer of snow fell onto the set one morning. Linda Blair, who was only in a thin nightgown, says to this day she cannot stand being cold.[15] Exteriors of the MacNeill house were filmed at 36th and Prospect in Washington, using a family home and a false wall to convey the home's thrust toward the steps. In fact, both then and now, a garden sits atop the embankment between the steps and the home.
The interior of Karras' room at Georgetown was a meticulous reconstruction of Theology professor Fr. Thomas M. King, S.J.'s "corridor Jesuit" room in New North Hall. Fr. King's room was photographed by production staff after a visit by Blatty, a Georgetown graduate, and Friedkin. Upon returning to New York, every element of King's room, including posters and books, was recreated for the set, including a poster of Pierre Teilhard de Chardin, S.J., a paleontologist on whom the character of Fr. Merrin was loosely based. Georgetown was paid $1,000 per day of filming, which included both exteriors, such as Ellen Burstyn's first scene, shot on the steps of the Flemish Romanasque Healy Hall, and interiors, such as the defilement of the statue of the Virgin Mary in Dahlgren Chapel, or the Archbishop's office, which is actually the office of the president of the university. One scene was filmed in The Tombs, a student hangout across from the steps that was founded by a Blatty classmate. The motion picture St. Elmo's Fire includes scenes filmed at The Tombs.

[edit]Urban legends and on-set incidents

Many of the film's participants claimed the film was cursed. Screenplay writer William Peter Blatty stated on video[16] that there were some strange occurrences during the filming. Lead actress Ellen Burstyn indicated some rumors are true in her 2006 autobiography Lessons in Becoming Myself. Due to a studio fire, the interior sets of the MacNeil residence (with the exception of Regan's bedroom) had to be rebuilt and caused a setback in pre-production. Friedkin claimed that a priest was brought in numerous times to bless the set. After difficulties encountered in the New York production, Blatty asked Fr. King (see reference above) to bless the Washington crew on its first day of filming at the foot of Lauinger Library's steps to 37th Street. The incident was recounted in Fr. King's 2009 Washington Post obituary. Other issues include Blair's harness breaking when she is thrashing on the bed causing permanent damage to the actor's spine. While filming the vaginal crucifix stabbing scene, Ellen Burstyn was seriously injured when the crew pulled her harness too hard after Blair hits her across the bedroom.
Irish actor Jack MacGowran died from influenza shortly after he filmed his role as director Burke Dennings. The son of Mercedes McCambridge, who did the voice-over for the demon, killed himself, his wife, and children in a murder-suicide in 1987.[17]

[edit]Alternate and uncut versions

There have been several versions of The Exorcist released and altered. The 1979 theatrical re-issue was reconverted to 70MM, with its 1.85:1 ratio modified to 2.20:1 to take advantage of the picture and audio fidelity 70MM offers. This was also the first time the sound was remixed to six-channel Dolby Stereo sound. Almost all video versions feature this soundtrack.
In both the TV-PG and TV-14 rated network versions, the image of the obscenely defiled statue of the Virgin Mary stays intact. It stays on screen several seconds longer for the TV-14 version. On original TV airings, the shot was replaced with one where the statue's face is smashed in but without other defilement.
The Edition released on DVD for the 25th Anniversary includes the original theatrical ending, and includes the extended ending with Father Dyer and Lt. Kinderman as a special feature (as opposed the "Version You've Never Seen" ending which features Father Dyer and Lt. Kinderman but omits the Casablanca reference). The Special Edition DVD also includes a 75-minutes documentary titled The Fear of God on the making of The Exorcist (although PAL releases feature an edited, 52 minute version). The documentary includes screen tests and additional deleted scenes. The Exorcist: The Complete Anthology (box set) was released in October, 2006. This DVD collection includes the original theatrical release version The Exorcist; the extended version, The Exorcist: The Version You've Never Seen; the sequel with Linda Blair, Exorcist II: The Heretic; the supposed end of the trilogy, The Exorcist III; and two different prequels: Exorcist: The Beginning andDominion: A Prequel to The Exorcist. Morgan Creek, current owners the The Exorcist franchise is now negotiating a cable television mini-series of the novel which is the basis for the original film written by William Peter Blatty.

[edit]The spider-walk scene

Contortionist Linda R. Hager performed the infamous spider-walk scene on April 11, 1973. Director William Friedkin deleted this scene just prior to the original December 26, 1973 premiere because it was technically ineffective due to the visible wires suspending Hager in a backward-arched position as she descends the stairs. According to Friedkin, "I cut it when the film was first released because this was one of those effects that did not work as well as others, and I was only able to save it for the re-release with the help of computer graphic imagery."[18] Additionally, Friedkin considered that the spider-walk scene appeared too early in the film's plot and removed it despite screenplay writer William Peter Blatty's request that the scene remain.
In 1998, Warner Brothers re-released the digitally remastered DVD of The Exorcist: 25th Anniversary Special Edition. The DVD includes the BBC documentary, The Fear of God: The Making of The Exorcist,[19] highlighting the never-before-seen original non-bloody variant of the spider-walk scene.
To appease the screenplay writer and some fans of The Exorcist, Friedkin worked with CGI artists to digitally remove the wires holding Hager. The director reinstated the bloody variant of the spider-walk scene for the 2000 theatrically re-released version of The Exorcist: The Version You've Never Seen.
In October 2010, Warner Brothers released The Exorcist (Extended Director's Cut & Original Theatrical Edition) on blu-ray that includes the behind-the-scenes filming of the spider-walk scene.

[edit]Sequels and related films

After the film's success, a string of remakes and sequels appeared. The first of these was Beyond the Door, an Italian 1974 film with Juliet Mills as a woman possessed by the devil. It appeared in the U.S. one year later. Then John Boorman's Exorcist II: The Heretic was released in 1977, and re-visited Regan four years after her initial ordeal. The plot dealt with an investigation into the legitimacy of Father Merrin's exorcism of Regan in the first film. In flashback sequences we see Regan giving Merrin his fatal heart attack, as well as scenes from the exorcism of a young boy named Kokumo in Africa many years earlier. The film was so sharply criticized that Director John Boorman re-edited the film immediately after its premiere. Both versions have now been released on video; the cut version on VHS and the original uncut version now on DVD.
The Exorcist III appeared in 1990, written and directed by Blatty himself from his own 1983 novel Legion. Jumping past the events of Exorcist II, this book and film presented a continuation of the story of Father Karras. Following the precedent set in The Ninth Configuration, Blatty turned a minor character from the first film — in this case, Det. Kinderman — into the chief protagonist. Though the characters of Karras and Kinderman were related through the murder investigation in The Exorcist and Kinderman was in fact fond of Karras; in Exorcist III Blatty has Kinderman remembering Karras as "his best friend".
A prequel, Exorcist: The Beginning (2004) attracted attention and controversy even before its release. It went through a number of directorial and script changes, such that two versions were ultimately released. Paul Schrader was originally hired as director for this project, but upon completion the studio rejected his version as being too slow. Renny Harlin was then hired as director after John Frankenheimer was forced from the project due to illness. Harlin reused some of Schrader's footage and shot new material to create a more conventional horror film. Harlin's new version Exorcist: The Beginning was released, but was not well received. At that point Schrader's original version, namedDominion: Prequel to the Exorcist was subsequently released. It received better, but still mostly negative, critical responses. Both films are now available on DVD. Like Exorcist III, both films made significant changes from the original storyline. The plot of these films centered around an exorcism that Father Merrin had performed as a young priest in Africa, many years prior to the events in The Exorcist. This exorcism was first referenced in The Exorcist, and in the first sequel Exorcist II: The Heretic, flashback scenes were shown of Merrin exorcising the demon Pazuzu from an African boy named Kokumo. Although the plot for both Beginning and Dominion centered around Merrin's exorcism in Africa, they both took a significant departure from the original story, making no effort to be faithful to those original details. The African boy was not named Kokomu, and eventually discovered not to actually be the possessed character.
In November 2009, it was announced that Blatty planned to direct a miniseries of The Exorcist.[20][21]
A made-for-television film entitled Possessed (based on the book of the same name by Thomas B. Allen) was broadcast on Showtime on October 22, 2000, directed by Steven E. de Souza and written by de Souza and Michael Lazarou. The film claimed to follow the true accounts that inspired Blatty to write The Exorcist and starred Timothy Dalton, Henry Czerny and Christopher Plummer.
Blatty directed The Ninth Configuration, a post-Vietnam War drama set in a mental institution. Released in 1980, it was based on Blatty's novel of the same name. Though it contrasts sharply with the tone of The Exorcist, Blatty regards Configuration as its true sequel[citation needed]. The lead character is the astronaut from Chris' party, Lt. Cutshaw.

[edit]Other films

A 1974 Turkish movie Şeytan (Turkish for Satan; the original movie was also shown with the same name) is almost a scene-by-scene remake of the original. It has gained a reputation among cult movie enthusiasts as the "Turkish Exorcist". That same year the German filmMagdalena, vom Teufel besessen was also released with an Exorcist plot. In 1976, the British released The Devil Within Her with Joan Collins as an exotic dancer who gives birth to a demon possessed child.
Similarly, a blacksploitation film was also released in 1974 titled Abby. While the films Şeytan and Magdalena, vom Teufel besessen were more legally free to be made due to being filmed in other countries, the makers of Abby (filmed in Louisiana) were sued by Warner Bros. The film was pulled from theaters, but not before making $4 million at the box office.
A parody entitled Repossessed was released the same year as The Exorcist III, with Blair lampooning the role she played in the original.

[edit]Home media

A limited edition box set was released in 1998. It was limited to 50,000 copies, with available copies circulating around the Internet. There are two versions; a special edition VHS and a special edition DVD. The only difference between the two copies is the recording format.
DVD features
  • The original film with restored film and digitally remastered audio, with a 1.85:1 widescreen aspect ratio.
  • An introduction by director Friedkin
  • The 1998 BBC documentary The Fear of God: The Making of "The Exorcist"
  • 2 audio commentaries
  • Interviews with the director and writer
  • Theatrical trailers and TV spots
Box features
  • A commemorative 52-page tribute book, covering highlights of the film's preparation, production, and release; features previously-unreleased historical data and archival photographs
  • Limited edition soundtrack CD of the film's score, including the original (unused) soundtrack (Tubular Bells and Night of the Electric Insects omitted)
  • 8 lobby card reprints.
  • Exclusive senitype film frame (magnification included)

[edit]Blu-ray

In an interview with DVD Review, Friedkin mentioned that he was scheduled to begin work on a 'The Exorcist' Blu-ray on December 2, 2008.[22] This edition will feature a new restoration, including both the 1973 theatrical version and the "Version You've Never Seen" from 2000.[23] It was released on 5 October 2010.[24][25]

[edit]Reception

[edit]US critical reception

Upon its release on December 26, 1973, the film received mixed reviews from critics, "ranging from ‘classic’ to ‘claptrap'."[26] Stanley Kauffmann, in The New Republic, wrote, "This is the most scary film I’ve seen in years — the only scary film I’ve seen in years…If you want to be shaken — and I found out, while the picture was going, that that’s what I wanted — then The Exorcist will scare the hell out of you."[27]Variety noted that it was "an expert telling of a supernatural horror story…The climactic sequences assault the senses and the intellect with pure cinematic terror."[28] In Castle of Frankenstein, Joe Dante stated, "[A]n amazing film, and one destined to become at the very least a horror classic. Director Friedkin’s film will be profoundly disturbing to all audiences, especially the more sensitive and those who tend to 'live' the movies they see…Suffice it to say, there has never been anything like this on the screen before."[29]
However, Vincent Canby, writing in the New York Times, dismissed The Exorcist as "a chunk of elegant occultist claptrap…[A] practically impossible film to sit through…it establishes a new low for grotesque special effects..."[30] Andrew Sarris complained that "Friedkin’s biggest weakness is his inability to provide enough visual information about his characters…whole passages of the movie’s exposition were one long buzz of small talk and name droppings…The Exorcist succeeds on one level as an effectively excruciating entertainment, but on another, deeper level it is a thoroughly evil film."[31] Writing in Rolling Stone, Jon Landau felt the film was, "[N]othing more than a religious porn film, the gaudiest piece of shlock this side of Cecil B. DeMille (minus that gentleman’s wit and ability to tell a story) …"[32]
Over the years, The Exorcist’s critical reputation has grown considerably. The film currently has an 85% "Certified Fresh" approval rating on the Rotten Tomatoes website, based on 40 reviews the website collected.[33] Some critics[who?] regard it as being one of the best and most effective horror films; admirers say the film balances a stellar script, gruesome effects, and outstanding performances.[citation needed] Chicago Tribune film critic Gene Siskel placed it in the top five films released that year.[citation needed] However, the movie has its detractors as well, including Kim Newman who has criticized it for messy plot construction, conventionality and overblown pretentiousness, among other perceived defects. Writer James Baldwin provides an extended negative critique in his book length essay The Devil Finds Work.[citation needed] Director Martin Scorsese placed The Exorcist on his list of the 11 scariest horror films of all time.[34] In 2008, the film was selected by Empire Magazine as one of The 500 Greatest Movies Ever Made.[35] It was also placed on a similar list of 1000 movies byThe New York Times.[36]

[edit]Earnings

The film earned $66,300,000 in distributors' domestic (U.S. and Canada) rentals during its theatrical release in 1974, becoming the second most popular film of that year (trailing The Sting).[37] After several reissues, the film eventually earned $89,000,000 in domestic rentals.[38] To date, it has a total gross of $401,400,000 worldwide; if adjusted for inflation, this would be the top-grossing R-rated film of all time.[1] It was nominated for ten Academy Awards, including Best Picture, and also won four Golden Globes, including the award for Best Picture – Dramafor the year 1974.

[edit]UK reception

In the United Kingdom, the film was included in the 'video nasty' phenomenon of the early 1980s. Although it had been released uncut for home video in 1981, this was prior to the implementation of the Video Recording Act 1984. When the Act came into force, Warner Bros. decided against submitting it to the BBFC for a rating following the 'Video Nasties' scare. It is a widely-reported myth that the BBFC banned the film, but it was never rejected by them. Following a successful re-release in cinemas in 1998, the film was submitted for home video release for the first time in February 1999 [39] and was passed uncut with an 18 certificate rating, signifying a relaxation of the censorshiprules with relation to home video in the UK. The film was shown on terrestrial television in the UK for the first time in 2001, on Channel 4.[40]

[edit]Special effects and audience reception

The Exorcist contained a number of special effects, engineered by makeup artist Dick Smith. Roger Ebert, while praising the film, believed the effects to be so unusually graphic he wrote, "That it received an R rating and not the X is stupefying."[41]
Theaters provided "Exorcist barf bags".[42]
Because of death threats against Linda Blair, Warner Bros. hired bodyguards to protect her for six months after the film's release.[15]

[edit]Alleged subliminal imagery

The Exorcist was also at the center of controversy due to its alleged use of subliminal imagery. A detailed article in the July/August 1991 issue of Video Watchdog examined the phenomenon, providing still frames identifying several usages of subliminal "flashing" throughout the film.[43] In an interview from the same issue, Friedkin explained, "I saw subliminal cuts in a number of films before I ever put them in The Exorcist, and I thought it was a very effective storytelling device... The subliminal editing in The Exorcist was done for dramatic effect — to create, achieve, and sustain a kind of dreamlike state."[44] However, these quick, scary flashes have been labeled "[not] truly subliminal".[45]and "quasi-" or "semi-subliminal"[46] True subliminal imagery must be, by definition, below the threshold of awareness.[47][48][49][50] In an interview in a 1999 book about the movie, The Exorcist author William Blatty addressed the controversy by explaining that, "There are no subliminal images. If you can see it, it's not subliminal."[51]

[edit]Awards and honors

[edit]Academy Awards

The Exorcist was nominated for a total of ten Academy Awards in 1973. At the 46th Annual Academy Awards ceremony, the film won two statuettes.[52]
The film was nominated for

[edit]Golden Globe Awards

The Exorcist was nominated for a total of seven Golden Globes in 1973. At the 31st Golden Globes ceremony that year, the film won four awards.
The film was nominated for

[edit]Others





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